Fujifilm GFX100

POA

Unrivalled Power & Performance

The Fujifilm GFX100 provides an image-making experience that is so much greater than full frame, combining a large format CMOS sensor with the unwavering power of the X-Processor 4 image processing engine, this camera will effortlessly capture stunning photographs and produce professional-looking movies even Hollywood would be proud of.

Description

Powerful Image Processing

The GFX100 features a back-illuminated, large format 102MP imaging sensor and the powerful X-Processor 4 engine, working together seamlessly to achieve 16-bit images with excellent colour fidelity, incredibly rich shadow detail, and an astonishing dynamic range.

The sensor’s innovative back-illuminated structure brings the exposure plane closer to the colour filter array in order to enhance image quality; minimising the noise levels you would usually find with a mirrorless camera and extending the native ISO to ISO 100; and even enhancing the sharpness while keeping moiré and false colours to an absolute minimum.

The GFX100 also features a motion sensor retention mechanism that suppresses even the smallest vibrations that occur as a result of camera shake and even the movement of the shutter, resulting in smooth, high-resolution images every time.

Focal Plane Shutter with Shock Absorber

The GFX100 features a durable focal plane shutter that has been purpose-built for the GFX100 to support its large format CMOS sensor, offering more than 150,000 shutter actuations and combining an electronic front curtain shutter with a near-silent mechanical shutter with a max. speed of 1/4000sec to achieve continuous shooting of up to 5.0fps.

This shutter features a shock absorption mechanism wherein a shutter unit that is suspended on all sides is able to absorb even the smallest shake caused when the shutter is used, reducing image blur and ensuring high quality photos and videos.

In-Body Image Stabilisation

The GFX100’s 5-axis in-body image stabilisation system (IBIS) provides up to 5.0 stops of image stabilisation, working in tandem with the camera’s dual processor and gyroscopic accelerometers to achieve stability, speed, and unparalleled precision — providing excellent image-making capabilities, even in low-light conditions or when using the GFX100 with a non-optically stabilised Fujifilm lens.

Fast, Reliable & Near-Silent Autofocus

The GFX100 uses its powerful sensor and X-Processor 4 to provide an advanced performance when it comes to face and eye tracking, easily picking out a single face in a large crowd and keeping them in focus — even if they are in motion. In Eye AF mode, you can even specify which eye you would like the camera to prioritise; a feature that is especially useful for portrait photography when focus accuracy is need with a very shallow depth of field. Use the touch screen LCD panel, or the newly designed focus lever to select which subject you would like the camera to track, focus, and adjust exposure to.

Creative Control

With decades of experience in colour science under their belt, Fujifilm have deservedly garnered a legendary reputation among photographers and videographers alike. Harnessing their impressive breadth of knowledge, the GFX100 features multiple Film Simulations. Each Film Simulation offers specially formulated depth, saturation, and tonality that requires little to no postproduction adjustment — providing greater creative freedom, achieving a unique feel and style to images and videos tailored to your preferences. Each Film Simulation will reproduce colours and tones from Fujifilm’s most popular analogue films and photo finishing processes. Please see the Film Simulations tab above for more information.

Format, Size & Aspect

With the GFX100, images can be captured in various formats and image qualities, including uncompressed/lossless compressed RAW and JPEG formats of varying imaging sizes, aspect ratios, and compression ratios. With in-camera RAW processing, the GFX100 can even save 8-bit or 10-bit colour depth images as 8-bit or 16-bit TIFF files. Plus, when using a 35mm format lens via a mount adapter, the GFX100 is capable of capturing images in a 36.0 x 24.0 mm frame at the centre (60.8M) in JPEG or TIFF formats.

Image Effects

Features a range of useful image effects, including Grain Effect, used to lend a graininess to images reminiscent of analogue photography; Colour Chrome Effect, which adds deeper tonal gradation to a subject matter with highly saturated colours; and Smooth Skin Effect, which smooth the skin and lends a more flattering complexion to your subject when shooting portraiture.

Professional Movie Making

When it comes to image-making, the GFX100 doesn’t just achieve unprecedented image quality for still photography, but, using the full power of its large format sensor, the GFX100 is also perfect for creating stunning, professional-looking movies.

Combining the large format CMOS sensor (which is larger than the sensors found in most cinema cameras) with the power of the X-Processor 4, the GFX100 will support 4K/30P video — producing a beautifully shallow depth-of-field, an enhanced tonal gradient in 10-bit output, and greater ISO sensitivity. More detailed textures and three-dimensional definition is achieved thanks to the large format sensor, allowing you to create incredibly true-to-life videos. All the Film Simulations available in still image-making are available when shooting video.

Robust & Reliable

The Fujifilm GFX100 features an incredibly robust magnesium alloy bodyshell that can withstand any of the everyday bumps, knocks, and scrapes that you would come to expect when shooting in varying environments, making it perfect for all types of photography — from street photography, portraiture, and dramatic landscape photography. The inner frame couples directly with the sensor and the in-body image stabilisation unit, providing complete rigidity through the lens to the sensor.

With 95 weatherproof seals across the exterior of the camera, the GFX100 can be used in any scenario, regardless of how challenging the weather conditions. Whether you’ve found yourself in the midst of a torrential downpour, caught off-guard by dense dust clouds, or even if you’ve ended up in an unforgiving blizzard, this camera will carry on shooting as though nothing has happened thanks to its dust- and moisture-resistant design.

Plus, for those who need to venture into colder climates, the GFX100 has you covered, working reliably, and remaining unaffected by extreme temperatures reaching down to -10°C.

Comfort & Convenience

The ability to work regardless of conditions is, of course, a great advantage for any photographer, but comfort also plays a huge part in the image-making process. Nobody wants to experience hand cramp, shoulder pain, or eye fatigue when capturing the perfect image, which is why the GFX100 has been constructed with ergonomics at the forefront of its design.

Complementing the shutter’s shock absorbing structure and the in-body image stabilisation system, the GFX100’s ergonomic grip has been shaped to remain comfortable in hand and provide added stability during handheld photography. This grip guarantees a firm hold on the camera, whilst also offering far greater balance when using a larger lens.

Plus, as the first camera in the Fujifilm range to feature a horizontal grip, the GFX100 boasts a much thinner and lighter body, and allows for quick switching between portrait and landscape photography — without ever becoming cumbersome.

The GFX100’s construction has been designed with a clear goal in mind: to keep the user as comfortable as possible when capturing beautiful images and videos.

Customisable Comfort

A 3.2” 2.36-million dot LCD monitor offers 100% coverage, tilting in three directions: 90° upwards, 45° downwards, and 60° to the right — meaning, where inconvenient angles would previously hinder capturing the perfect image, the GFX100 can capture it with ease, without the photographer becoming uncomfortable.

A 2.5” sub monitor can be configured to display a variety of data which could previously be found on the main LCD monitor. This sub monitor can be customised to display the exposure compensation gauge and histogram in order to enable exposure adjustment whilst checking the exposure level. This sub monitor frees up space on the main LCD display and allows you to focus more on framing your composition perfectly.

Move to the top panel and you’ll find a clear, 1.8” black and white sub LCD monitor on which the main shooting settings can be found. These settings include shutter speed, aperture, ISO sensitivity, exposure compensation, function icons, remaining number of frames (stills), and remaining filming time. This convenient little display can be configured to user preference, providing all the data you find most important whilst shooting. Data will even change accordingly when switching from stills photography to video recording, and vice versa.

A detachable 5.76 million dot electronic viewfinder (EVF) provides 100% coverage so you can see a true-to-life representation of the scene in front of you. Plus, you can even select resolution priority, frame rate priority, and AF priority in boost mode for live view.

Film Simulations

Provia/StandardA reversal film designed for professional use. Caters for all subject types offering a relatively neutral colour reproduction.
Velvia/VividAn ultra-vivid reversal film designed for professionals, providing richer and more high-contrast colours than the standard PROVIA/STANDARD normally used by landscape photographers.
Astia/SoftA reversal film designed for fashion portrait photographers that prioritises soft and faithful reproduction of skin tones, whilst reproducing vivid blue skies and greenery.
Classic ChromeDesigned to reproduce the look and feel of 20th century documentary publications. This mode provides low-saturation and hard tonal gradation in shadows.
Pro Neg. HiProvides slightly harder tonal gradation than the PRO Neg. Standard and is mainly used for portrait photography where lighting is not easily controlled, providing the right amount of shadows, even under flat lighting.
Pro Neg. StdOffers a soft tonal gradation and excellent skin tone reproduction, making it ideal for portrait photography under carefully controlled lighting. Its neutral tonality renders itself well to post-production.
Classic NegProvides high-contrast tonal gradations, adding depth and definition to colours by adjusting their shades and shadows while reducing saturation.
Eterna/CinemaDesigned for motion pictures, this mode minimises saturation to ensure none of the colour stand out, therefore providing an extremely soft tonal gradation in highlights and deep shadows and thus preventing clipping and producing a cinematic look.
Eterna Bleach BypassApplies a bleach bypass effect to the ETERNA/CINEMA mode, creating a high-contrast, low-saturation look for a touch of profoundness. This mode is loved by filmmakers and is the perfect choice for those who wish to achieve a more dramatic look.
AcrosDelivers rich shadow details and excellent sharpness, while adding grain at high ISOs, producing the textural feel of monochrome films.
MonochromeShoots in black and white and is available with yellow, red, and green filters to deepen shades of grey corresponding to hues complementary to the selected colour.
SepiaLends a truly classic feel to your images, adding a warm tone across the frame for a sense of nostalgia.

Specifications

Number of Effective Pixels102 million pixels
Image Sensor43.8mmx32.9mm Bayer array with primary color filter
Sensor Cleaning SystemUltra Sonic Vibration
Storage MediaSD Card (-2GB) / SDHC Card (-32GB) / SDXC Card (-512GB) UHS-I / UHS-II / Video Speed Class V90
File format (Still)JPEG: Exif Ver.2.32, RAW: 14bit/ 16bit RAW RAF original format, RAW+JPEG, TIFF: 8bit/ 16bit RGB (In-camera RAW Conversion Only)
Number of Recorded PixelsL: [4:3] 11648×8736 [3:2] 11648×7768 [16:9] 11648×6552 [1:1] 8736×8736 [65:24] 11648×4304 [5:4] 10928×8736 [7:6] 10192×8736
M: [4:3] 8256×6192 [3:2] 8256×5504 [16:9] 8256×4640 [1:1] 6192×6192 [65:24] 8256×3048 [5:4] 7744×6192 [7:6] 7232×6192
S: [4:3] 4000×3000 [3:2] 4000×2664 [16:9] 4000×2248 [1:1] 2992×2992 [65:24] 4000×1480 [5:4] 3744×3000 [7:6] 3504×3000
Lens MountFUJIFILM G Mount
Sensitivity Standard OutputSTILL: AUTO1/ AUTO2/ AUTO3 (up to ISO12800)/ ISO100~12800 (1/ 3 step)
MOVIE: AUTO/ ISO200~12800
Sensitivity Extended OutputSTILL: ISO50/ 25600/ 51200/ 102400
MOVIE: ISO25600
Exposure ControlTTL 256-zone metering, Multi/ Spot/ Average/ Center Weighted
Exposure ModeP (Program AE)/ A (Aperture Priority AE)/ S (Shutter Speed Priority AE)/ M (Manual Exposure)
Exposure CompensationSTILL -5.0EV – +5.0EV (1/3EV step)/ MOVIE: -2.0EV – +2.0EV (1/3EV step)
Image Stabilizer MechanismImage sensor shift mechanism with 5-axis compensation
Image Stabilizer Compensation EffectUp to 5.5 stops (based on CIPA standard). Pitch/yaw shake only.
Shutter TypeFocal Plane Shutter
Shutter Speed Mechanical ShutterP mode: 4sec to 1/4000 A mode: 30sec to 1/4000 S/M mode: 60min to 1/4000 Bulb mode: up to 60min
Shutter Speed Electronic ShutterP mode: 4sec to 1/16000 A mode: 30sec to 1/16000 S/M mode: 60min to 1/16000 Bulb mode: up to 60min
Shutter Speed Electronic Front curtain ShutterP mode: 4sec to 1/4000 A mode: 30sec to 1/4000 S/M mode: 60min to 1/4000 Bulb mode: up to 60min
Shutter Speed Mechanical + Electronic ShutterP mode: 4sec to 1/16000 A mode: 30sec to 1/16000 S/M mode: 60min to 1/16000 Bulb mode: up to 60min
Shutter Speed E-Front + Mechanical ShutterP mode: 4sec to 1/16000 A mode: 30sec to 1/16000 S/M mode: 60min to 1/16000 Bulb mode: up to 60min
Shutter Speed E-Front + Mechanical + Electronic ShutterP mode: 4sec to 1/16000 A mode: 30sec to 1/16000 S/M mode: 60min to 1/16000 Bulb mode: up to 60min
*Electronic front curtain shutter works until 1/1250, Mechanical shutter works until 1/4000
*The Electronic Shutter may not be suitable for fast-moving objects or handheld shooting Flash can not be used
*When using the electronic front curtain shutter, the continuous shooting supports CL only
Shutter Speed MovieDCI4K/4k: 1/4000 to 1/24 FHD: 1/4000 to 1/24
Synchronized Shutter Speed for Flash1/125 or slower
Continuous ShootingCH Approx. 5.0fps (JPEG: 41 Frames, Compressed RAW: 15 Frames*, Lossless compressed RAW: 14 Frames, Uncompressed RAW: 13 Frames)
CL Approx. 2.0fps (JPEG: Endless, Compressed RAW: 41 Frames*, Lossless compressed RAW: 20 Frames, Uncompressed RAW: 15 Frames)*When Using the Electronic Shutter CH continuous shooting speed drops to approx. 2.9fps.
*Electronic Front Curtain Shutter support CL only.
*Recordable frame depends on recording media.
*Speed of continuous shooting depends on shooting environment and shooting frames.
AE BracketingAE Bracketing (Frames: -2, -3, +3, +2, 9, 7, 5, 3 Step: 1/3EV, 2/3EV, 1EV, 4/3EV5/3EV2EV7/3EV8/3EV3EV)
Film Simulation Bracketing (Any 3 types of film simulation selectable)
Dynamic Range Bracketing (100%, 200%, 400%)
ISO Sensitivity Bracketing (1/3EV, 2/3EV, 1EV)
White Balance Bracketing (1, 2, 3)
Focus Bracketing (AUTO, MANUAL)
Focus ModeSingle AF/ Continuous AF/ MF
Focus TypeIntelligent Hybrid AF (TTL contrast AF / TTL phase detection AF)
Focus Low-light PerformanceContrast: -2.5EV with GF80mmF1.7 attached Phase Detection: -5.5EV with GF80mmF1.7 attached
AF Frame SelectionSingle point AF: EVF/ LCD: 139/ 2517 (Changeable size of AF frame)
Zone AF: 33/ 55/ 77 from 117 areas on 139 grid
Wide/Tracking AF: (up to 18 area) * AF-S: Wide/ AF-C: Tracking
All
White BalanceAuto (WHITE PRIORITY, AUTO, AMBIENCE PRIORITY)/ Custom1-3/ Color temperature selection (2500K-10000K)/ Dayight, Shade, Fluorescent light (Daylight), Fluorescent light (Warm White), Fluorescent light (Cool White), Incandescent light, Underwater
Self-timer10sec. / 2sec.
Interval Timer ShootingYes (Setting: Interval, Number of shots, Starting time, Interval timer shooting exposure smoothing)
Flash Sync Mode1st Curtain/ 2nd Curtain/ AUTO FP (HSS)
Flash ModeTTL (TTL AUTO (P mode) / STANDARD / SLOW SYNC. ) / MANUAL / MULTI / OFF
Hot ShoeYes (Dedicated TTL Flash compatible)
Viewfinder EVF0.5 inch Approx. 5.76 million dots OLED Color Viewfinder
Coverage of Viewing Area vs. Capturing Area: Approx. 100%
Eyepoint: Approx. 23mm (from the Rear End of the Camera’s Eyepiece)
Diopter Adjustment: -4 – +2m-1
Magnification: 0.86 with 50mm Lens (35mm Equivalent) at infinity and Diopter set to -1.0m-1
Diagonal Angle of View: Approx. 41 (Horizontal Angle of View: Approx. 33)
Built-In Eye Sensor
LCD Monitor3.2 inch, Aspect Ratio 4:3, Approx. 2.36 million dots Tilt-Type(Three Direction), Touch Screen Color LCD Monitor (Approx. 100% Coverage)
Touch Screen Shooting ModeTouch AF, Focus Area, OFF
Double Tap ON/OFF Setting, Touch Function ON/OFF Setting
Touch Screen Playback ModeSwipe, Zoom, Pinch-in / Pinch-out, Double-tap, Drag (ON/OFF Selectable)
Sub LCD Monitor1.80 inch, Aspect Ratio 4:3, 303230-dot Monochrome LCD Monitor
Rear Sub Monitor2.05 inch, Aspect Ratio 4:1, 25664-dot Monochrome OLED Monitor
File format (Movie)MOV (MPEG-4 AVC / H.264, HEVC / H.265, Audio : Linear PCM / Stereo sound 24bit / 48KHz sampling)
Movie CompressionAll Intra/Long-GOP
* All Intra can be used with following settings.
DCI4K/4K 29.97p/25p/24p/23.98p 400Mbps
Full HD(20481080)/Full HD(19201080) 59.94p/50p/29.97p/25p/24p/23.98p200Mbps
File Size / Frame Rate / Recording TimeDCI 4K (40962160) 29.97p/ 25p/ 24p/ 23.98p 400Mbps/ 200Mbps/ 100Mbps up to Approx. 60min.
4K (38402160) 29.97p/ 25p/ 24p/ 23.98p 400Mbps/ 200Mbps/ 100Mbps up to Approx. 60min.
Full HD (20481080) 29.97p/ 25p/ 24p/ 23.98p 200Mbps/ 100Mbps/ 50Mbps up to Approx. 80min.
Full HD (19201080) 29.97p/ 25p/ 24p/ 23.98p 200Mbps/ 100Mbps/ 50Mbps up to Approx. 80min.* For recording movies, use a SD memory card with UHS Speed Class 3 or higher.
* For recording movies in 400Mbps, use a SD memory card with Video Speed Class 60 or higher.
* Recording movies in 400Mbps can be done with DCI 4K/ 4K 29.97p/ 25p/ 24p/ 23.98p.
Film Simulation Mode18 modes (PROVIA/ Standard, Velvia/ Vivid, ASTIA/ Soft, Classic Chrome, PRO Neg.Hi, PRO Neg.Std, Classic Neg*3, ETERNA/ CINEMA, ETERNA BLEACH BYPASS*3, Black & White, Black & White +Ye Filter, Black & White +R Filter, Black & White +G filter, Sepia, ACROS, ACROS +Ye filter, ACROS +R filter, ACROS +G filter)
B & W ADJ. (Warm/Cool)-9 – +9 *When ACROS or Black & White is selected.
Grain EffectRoughness: STRONG, WEAK, OFF Size: LARGE, SMALL*3
Color Chrome EffectSTRONG, WEAK, OFF
Color chrome BlueSTRONG, WEAK, OFF
Smooth Skin EffectSTRONG, WEAK, OFF
Dynamic Range SettingAUTO, 100%, 200%, 400%
Wireless Transmitter StandardIEEE802.11a/b/g/n/ac (standard wireless protocol)
Wireless Transmitter EncryptionWEP/ WPA/ WPA2 mixed mode
Wireless Transmitter Access ModeInfrastructure
Terminal – Digital InterfaceUSB Type-C (USB3.2 Gen1x1)
Terminal – HDMI OutputHDMI Micro connector (Type D)
Terminal – Others3.5mm, stereo mini connector (Microphone)
3.5mm, stereo mini connector (Headphone)
2.5mm, Remote Release Connector
DC IN 15V Connecter *Compatible with AC-15V (Optional) Only
Hot shoe
Synchronized terminal
Power SupplyNP-T125 (x2) Li-ion battery (included)
Battery Life for Still ImagesApprox. 800 frames When GF63mmF2.8 R WR is set. (2 batterys installed, Auto power save ON)
Actual Battery Life for Movie Capture[4K] Approx. 100min. [Full HD] Approx. 150min. *Face detection is set to OFF
Continuance Battery Life for Movie Capture[4K] Approx. 170min. [Full HD] Approx. 240min. *Face detection is set to OFF
USB Power SupplySupport USB PD(Power Delivery) power source to supply or rapidly recharge battery (USB PD Rev2.0 ver1.3)
Approximate External Camera DimensionsIncluding EVF
156.2mm (W) x 163.6mm (H) x 102.9mm (D)
6.15in. (W) x 6.44in. (H) x 4.05in. (D)
Minimum Depth : 48.9mm / 1.93inE x cluding EVF
156.2mm (W) x 144.0mm (H) x 75.1mm (D)
6.15in. (W) x 5.67in. (H) x 2.96in. (D)
Minimum Depth : 48.9mm / 1.93in
Camera Width (mm)156.2
Camera Height (mm)163.3
Camera Depth (mm)102.9
Camera Minimum Depth (mm)48.9
Camera Width (in)6.15
Camera Height (in)6.43
Camera Depth (in)4.05
Camera Minimum Depth (in)1.93
Camera Body WeightApprox. 1,400g / 49.4oz. (including EVF, battery x2 and memory card)
Approx. 1,320g / 46.6oz. (including battery x2 and memory card)
Approx. 1,155g / 40.7oz. (excluding accessories, battery and memory card)
Operating Temperature-10C-40C/ 14F-104F
Operating Humidity10% – 80% (no condensation)
Start Up PeriodApprox. 0.4sec.

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